Technology, Abstraction and Ideas of Nature - 3315 Words

Coming to terms with modern architecture, we must read through such seminal statements through their sensibilities and societal myths which they exemplify. Now, we shall explore parallel themes to do with new myths of modernity, poetic expressions of technology, the reemergence of abstraction, and analogies between architecture and other realms such as minimalist sculpture, landscape art and nature. Architecture oscillates between the unique and the typical where the old and new may reunite in unexpected ways. Example, the Navarro Baldeweg’s Congress Hall in Salamanca which underlines the complexity of ideas, fantasies, memories and aspirations that may operate in a single function. If this interconnections work on the†¦show more content†¦Part from his exchange with painters, sculptors and conceptual artists, part from his direct engagement with ordinary techniques of construction in which he found extraordinary possibilities of expression. Spiller House in Vernice, California (1979) in which angled planes and tilting volumes introduced visual tension and ambiguities while materials, as found, were handled in a deliberately casual way which exposed the process of assembly. Another route towards fragmentation and abstraction lay through the works of â€Å"neo-modernist† such as Richard Meier and Bernard Tschumi. Richard Meier established a signature style that was characterized by layers of wall planes and transparencies, fractured structural grids, interpenetrating ramps and space of vying luminosity. All these devices were all on display in the Museum fà ¼r Kunsthandwerk in Frankfurt (1981-5). The Parc de La Villete (1984-9) by Bernard Tschumi revealed another aspect of the neo-modernist stance. His basic strategy of co-ordinates, sinuous lines and boundaries suggested a latter-day version of Kadinsky’s elements of abstract painting or perhaps the score for an avant-garde film in which the same shot-pieces were repeated in different montages. The site recalled past mechanistic fantasies such as Tchernikov’s sketches of around 1929. The cubic â€Å"follies† were like giant toys scattered across the grass. Rem Koolhass’s proposal for the Grande Bibliothà ¨queShow MoreRelatedThe Subculture I Choose Is Vampire Lifestyle843 Words   |  4 Pagesreal-life problems. There are three survival kits for culture. They are abstraction, cooperation and production. But, my focus is on the first two. Abstraction means ability to create general concepts that organize sensory experience in meaningful way. Abstraction is most pervasive type of symbol in human culture. Language is also an important to the preservation of any culture. 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